I only take 5 slots a month and they go quick. The deposit locks yours in and makes sure we're both actually committed before we start. Without it the slot stays open and someone else can take it.

Nah I don't do rush work. Rushing it would just feel half-arsed and that's not something I want to send out. I want to be able to watch it back and actually think it's good.

I can try help you find some if you need, just lmk in advance and I'll see who I know. Can't always guarantee it tho. Recording itself is handled by me.

Every showcase gets its own treatment, different scenes, different 3D, different energy to the one before it. I'm not recycling the same setup with a different name on it. Also depends on what other showcases are on before yours, rough estimate is around 7-8 days depending on that.

Yh once we've started on a song that's locked in so just make sure you're happy with it before we begin, not something I can redo once editing's started.

Yes and no — if you give me 0 input I'm not gonna know what to do. There has to be a lil something from you to guide me. I've got 5 showcases to do and they all need to be different, I can't just pull ideas for all of them or they start feeling the same.

No — your deposit is your deposit. If you decide on a longer edit after recording you just stick with the 50% you already paid. If you paid the full amount upfront that covers it too.

Yh — but if someone also recorded the day before and you want to go back for more, it's gonna be worked on at the same time and will push back when you get your showcase.

5–7PM EST is usually the best window.

This depends on how well I know you. It's not my preferred way but sometimes things come up where someone can't pay on time — I get that. The more we've worked together the more I know how you move, and options like this become available. But if that trust gets taken advantage of — no showcase, no more slots, even if you say you'll pay £200.